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Gustav Klimt Hofburg Actor Josef Lewinsky as Carlos (mk20) oil painting


Hofburg Actor Josef Lewinsky as Carlos (mk20)
Painting ID::  22419
Gustav Klimt
Hofburg Actor Josef Lewinsky as Carlos (mk20)
1895 Oil on canvas,64 x 44 cm Austrian Gallery,Vienna

   
   
     

Gustav Klimt Joseph Pembauer (mk20) oil painting


Joseph Pembauer (mk20)
Painting ID::  22420
Gustav Klimt
Joseph Pembauer (mk20)
1890 Bildnis des Pianisten und Klavierpadagogen Joseph Pembauer Oil on canvas,69 x 55 cm Tyrolean State Museum Ferdinandeum,Innsbruck

   
   
     

Gustav Klimt Portrait of a Lady (Frau Heymann) around (mk20) oil painting


Portrait of a Lady (Frau Heymann) around (mk20)
Painting ID::  22421
Gustav Klimt
Portrait of a Lady (Frau Heymann) around (mk20)
1894 Damenbildnis Oil on wood,39 x 23 cm Historical Museum,Vienna

   
   
     

Gustav Klimt Lady at the Fireplace (mk20) oil painting


Lady at the Fireplace (mk20)
Painting ID::  22422
Gustav Klimt
Lady at the Fireplace (mk20)
around 1897/98 Dame am Kamin Oil on canvas,41 x 66 cm Austrian Gallery,Vienna

   
   
     

Gustav Klimt Mermaids (Whitefish) (mk20) oil painting


Mermaids (Whitefish) (mk20)
Painting ID::  22423
Gustav Klimt
Mermaids (Whitefish) (mk20)
around 1899 Nixen(Silberfische) Oil on canvas,82 x 52 cm Zentralsparkasse,Vienna

   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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